DH in the Classroom: Dr. Mónica Salas-Landa on Archiving “Nature” (Digitally)

Dr. Mónica Salas-Landa, Assistant Professor of Anthropology

Dr. Mónica Salas-Landa used a Digital Humanities in the Classroom Grant to develop a class project in her Spring 2017 course “Anthropology & Sociology 201: Environment and Culture.” Read on for her reflections on the semester!

How can we understand the many ways in which people shape their environments and are, in turn, shaped by them? Although this basic question might be an expected centerpiece of a 200-level course titled “Environment and Culture,” my class last spring invited students to engage with this line of inquiry in the most direct and substantial way possible: across the semester, students developed research projects on a local landscape in Easton and made an argument about the nature-human dynamics that they encountered there. They drew on ethnographic and historical methods in order to analyze their chosen landscape and participate in relevant scholarly debates, which we discussed in class. The goal of this assignment, then, was not only for students to gain experience “reading” an actual landscape but also for them to develop a more robust understanding of how their own existence at this time and place is inextricably connected to other complex relationships between humans and their environment.

A variety of images students encountered in their primary source research for the class Omeka project

Students’ ethnographically and historically informed research, moreover, served as the basis for a collective class project: the development of a digital collection and exhibition based on material connected to everything from local dams, industrial parks, and cemeteries to roads, community parks, and food markets. During their research, each student collected, on the one hand, an image, sound recording, or video of their field site and related it to a piece of historical evidence, which they found in Lafayette Special Collections & College Archives or at the Easton Public Library. Using Omeka, a web-publishing platform for displaying archives, collections, and exhibitions, students catalogued their material, entered metadata, and created an exhibit page in which they further explored the relationship between concepts discussed in class and assemblies of items from our collection.

The A&S 201 Omeka site

By incorporating a digital humanities component into this class, I was able to introduce students to ethnographic and historical research of primary sources as well as the critical thinking involved in creating an archive. Through the selection, organization, cataloguing, and analysis of a myriad of documents, photographs, sound recordings, and videos of the Easton area, students connected their own research to wider theoretical issues about how representations of nature are constructed and disseminated.  The site, which remains a work in progress, can be viewed here.  

Further, drawing on the digital humanities in this course has also helped me to imagine ways of expanding and sharing my own research results on environmental degradation in oil zones in Mexico. I hope to use Omeka to develop a public “toxic archive” in which community members can document and record the harmful presences of oil and its infrastructure. In a context where the invisibility of toxicity works to mask or deny it, rendering its noxious effects visible is of utmost importance.

 

 

DH in the Classroom: Dr. Lindsay Soh

Dr. Lindsay Soh, Assistant Professor of Chemical and Biomolecular Engineering

Dr. Lindsay Soh used a Digital Humanities in the Classroom Grant to develop a class project in her Spring 2017 course “Chemical Engineering 370: Alternative Energy Sources.” In this course students are introduced to how to compare different energy technologies based on a number of different metrics. Read on for her reflections on the semester!

The idea of my Digital Humanities in the Classroom project was to communicate how an energy technology works to the general community and allow for greater understanding of the course metrics using data visualization. Specifically, the students’ project involved research into a chosen renewable energy technology.

The students first underwent literature-based research to understand the technology’s fundamentals. Next, they were asked to find and interpret data related to the technology in order to gain a deeper understanding of the feasibility of the energy source. The project consisted of a comprehensive report of the renewable energy technology that also incorporated how to communicate the findings with the general community. As such, the digital project included a visualization of the major findings that could be expounded from the data set and as related to the course metrics.

A data visualization created by Dr. Soh’s students on Tableau

Using the data analytics platform Tableau, students created public sites that provided a context and story for the visualization.   This resource is being made available to the Nurture Nature Center as a possible tool for their energy education program, and the public sites are also being posted on the my website.

Throughout the course, the concept of visualizing and interpreting data was discussed several times along with discussion and analysis. Furthermore, in collaboration with librarian Sarah Morris, the DH training consisted of several targeted sessions that sought to answer the following questions with the students

  1. Why is data visualization important?
  2. How to find and build data sets?
  3. How to use Tableau software for the final project visualization?

Upon reflection, I think that the integration of DH aspects into the course was largely successful. It has been my goal since coming to Lafayette College to provide students with the tools necessary to better communicate fact-based arguments. This project has served multiple purposes, allowing the students to explore a particular research question as well as develop ways to use data to explore a novel research question and communicate the findings.

The basic structure of the project worked well for these goals, however one shortcoming became apparent in the final products – the students were not able to utilize the data visualization software to its full abilities. For example, while the graphics that students produced were visually appealing, they were limited mostly to two variable comparisons; the beauty of data visualization is in the ability to elegantly intersect 3 or more variables to tell a different the of story with the data. I think that adding an extra deliverable would aid in this objective.

Dr. Amir Sadovnik Presents on Digital Humanities in the Computer Science Classroom

Dr. Amir Sadovnik presents on his teaching as a Digital Humanities in the Classroom grant recipient.

When we talk about the digital humanities, often we’re thinking about how digital technologies can be applied to humanistic inquiry and pedagogy.  But Amir Sadovnik, Assistant Professor of Computer Science, is interested in how humanistic concerns and questions can enrich introductory studies in computer science.  On March 22, Dr. Sadovnik gave a presentation on his teaching as a grantee of the Skillman Library Digital Humanities in the Classroom program.

In Dr. Sadovnik’s “Intro to Computer Science” courses, students learn the essentials of programming.  Most students enter with no programming experience; over the course of the semester, they build the skills to program a tool to analyze data sets consisting of, for example, Lafayette College Yik-Yaks, or candidates’ Tweets from the 2016 presidential election.  Sadovnik explained that in his traditional introductory computer science course focused on digital media computing, students learned to develop and implement algorithms for final projects such as basic sound and image editors.  

A slide from Dr. Sadovnik’s presentation, outlining the goals of his DH in the Classroom project.

With his Digital Humanities in the Classroom grant, Sadovnik aimed to make the leap from digital media processing to analysis.  His teaching goals included: challenging students to construct more complex data structures in order to accommodate more complex data sets; providing students with the experience of working on a development team, as preparation for the workplace; and providing students with opportunities to work with data sets that interest them.  Dr. Sadovnik’s thinking was that if students could work with data that connect with their multidisciplinary research interests in history, political science, sociology, and other areas, they would connect more meaningfully with the programming tasks at hand.

Student Mike Van Ness presents a data visualization produced by the tool he programmed in Dr. Sadovnik’s class.

Student presenters who had taken Dr. Sadovnik’s courses also offered their reflections on the DH in the Classroom experience.  Shira Wein, Wassim Gharbi, and Mike Van Ness showcased their work from the class.  All of the students testified that working with complex, meaningful data enhanced their introduction to computer science.  Thank you very much to Dr. Sadovnik and his student co-presenters for sharing their important work!

DSS Supports Original Undergraduate Research Using GIS

Which road systems were built along Native American trail ways, and why?  This research question, formulated by Molly Leech ’17 for her senior thesis in Anthropology and Sociology under the supervision of Professor Andrea Smith, represents the sort of historic geographic scholarly inquiry that John Clark, Data Visualization GIS Librarian, loves to support in his role at Skillman Library Digital Scholarship Services (DSS).  John offers a “Making Maps” workshop series at the Skillman Library that introduces students, faculty, and librarians to such tools as Google Maps, Social Explorer, and ArcGIS, a popular desktop GIS (Geographic Information Systems) application available to the Lafayette community at Skillman.  He also supports faculty and student research projects such as Molly’s.  While attending John’s “Making Maps” workshops to learn about digital tools she might use to explore her thesis topic geographically, Molly had the opportunity to share her research question with John, and she now works closely with him on a substantive GIS component for her thesis.

According to John, “maps and geographic understanding are relevant to nearly every major at the college–from Environmental Science to History to Civil Engineering and all points in between. Furthermore, mapping software has become simpler to use so that students can create their own geospatial data from spreadsheets or by extracting information from historic maps. This data can then used to make their own custom maps. I can assist students, whether it’s finding the right map online for a class assignment or assisting them with mapping software so that they can create maps from their own research.”

GIS Librarian John Clark works with Molly Leech '17

GIS Librarian John Clark (left) works with Molly Leech ’17 (right)

Molly explains that a geographic lens has been central to the development of her research. “My thesis retraces the history of two former Indian trails that intersect at the historic ‘Four Corners’ of Shrewsbury, New Jersey. By contextualizing maps from the late seventeenth century to present day with archival source material such as town histories and newspaper articles, I hope to reveal how these Indian trails transitioned to early colonial and present-day roads. This research allows me to explore the processes involved in the creation of a settler sense of belonging as well as the politics of street-naming and place-making.”

IMG_0073Molly emphasizes that the GIS component of her thesis is crucial to understanding her topic. “It’s not an easy job to try to locate these former Indian trails on the landscape–archival sources often use long-gone farms and homesteads as geographic points of reference.  Luckily, with the help of John Clark, I’ve been able to use archival maps from the same time period as my sources to retrace the Indian trails and then overlay present-day road maps onto this data. When I began my thesis research, I didn’t expect to be using GIS, but now, these compiled maps will be presented as part of my thesis to help re-conceptualize our surroundings and challenge the dominant narrative of Northeastern American colonial history.”

For Molly, her GIS exploration is thus central to her critical examination of settler colonial narratives in American history.  “There’s something to be said about the fact that we don’t tend to talk about the fact that many of the roads we drive on are former Indian trails. When we think of pre-colonial America, the dominant narrative is that settlers encountered an untamed wilderness; the idea of the intrepid pioneer is glorified. However, it makes complete sense that a settler nation would make use of the indigenous populations’ trails, and indeed start to settle along them. When we are conscious that we are driving on former Indian trails, we are reminded of our colonial history and we become more conscious of the longtime presence of Native Americans on the land.”

Are you interested in incorporating a mapping component in your research or teaching?  Contact John Clark at clarkjh@lafayette.edu.

DH in the Classroom Projects and New Call for Proposals

This semester saw the successful launch of the Digital Humanities in the Classroom initiative sponsored by Skillman Library and the Mellon Digital Humanities Steering Committee. Grant recipients were asked to convert an assignment or project in their class to one based in the digital humanities. Rather than adding technology for the delivery of content, the grant asks for instructors to use digital methods and technologies to ask new research questions and engage with materials in a new way.

If you’re interested in adding a digital component to your class for next year, we are currently accepting applications for next semester. See our Call for Proposals for the full details.

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Example of REL 308 final project

The call for proposals brought in professors from five different departments ranging from Mathematics to English, each engaging with the tenets of DH from a unique perspective. This week we have had the opportunity to see the results of this initiative as the students turn in their final projects.

Omeka,a digital platform for image collection and image building supported by Skillman Library’s Digital Scholarship Services was primary tool for several of the DH in the Classroom participants. Omeka was ideally suited for Professor Jessica Carr’s Religious Studies class that examined religious imagery and power in religious discourse. For their final projects, students were asked to curate a digital exhibit of images and discuss the significance of their groupings. Building the collection highlighted the influence of  curation on the interpretation of images and helped the students to articulate their own perspectives on their objects of study.

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Petrology final project on Omeka

Professor Tamara Carley used Omeka in her Geology class in two ways. First her students learned to catalogue and record metadata for their mineral samples. Recording the details of the samples helped them tell the story of the sample and track its movement over time. At the end of the semester, each of her students created final presentations that required using the data collected by the class as whole as evidence for their hypotheses. The Omeka collection became a repository for the class’ knowledge that could then be utilized to build new arguments.

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Interactive timeline and map from the McDonogh Project

Africana Studies Professor Wendy Wilson-Fall organized data collected in two previous classes to create a new digital exhibition that follows the story of the McDonogh “Brothers” two manumitted slaves that attended Lafayette in the 19th century. Her classes read collections of letters and cultural materials with the assistance of Diane Shaw in Special Collections. This term’s class was able to organize that information previously collected to begin to untangle the social world of both David and Washington McDonogh. The students gained skills in both the collection and visualization of data.

In Professor Chris Phillip’s English class, the digital display of the students work came not in an exhibit, but in a digital publication. Students created their own anthology of Civil War poetry that they compiled as a collaborative ePub. According to Professor Phillips, the process of bringing images, text, and annotations together opened new avenues for analysis for students. “They realized that they could find patterns in the literature they hadn’t anticipated,” he says. “They found new potentials and problems in sharing their work with others, and they realized that there actually is a workflow to producing an e-book—it’s not quite something anyone can do, but with the right tools and a bit of support, they can turn their research into a publication.” The project helped the students to gain authority over their work and gained skills that will transfer to other courses across the curriculum.

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Cover image from ENG 212’s anthology project

In Professor Trent Gaugler’s Mathematical Statistics class, students applied their quantitative skills to a humanities based data set. The class analyzed a set of 775 writing samples from incoming and returning Writing Associates collected between 1995 and 2012. They used the statistical methods they learned in class to compare the essays over time. The project asked students not only to master the learning objectives of the course in order to run the analysis but also how to think about qualitative data in a quantitative manner, breaking down larger questions like, are the essays written in 1995 more sophisticated than those in 2012 into measurable, testable hypotheses.

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Analysis of comma use in new Writing Associate essays over time.

For example, this graph tracks comma usage in the essays collected from new Writing Associates over time and separated by gender. These students were measuring the sophistication of the writing samples by testing the hypothesis that more commas per sentence would indicate more complex sentences and therefore more sophisticated writing. Interestingly, through a wide range of analyses and hypotheses that the class conducted, their data showed that over the course of nearly 20 years, the writing samples remained remarkably consistent.

Each of these classes found a unique way to engage with the methods and tools of the digital humanities. For more information about these projects or about developing your own classroom project contact Emily McGinn, Postdoctoral Fellow in Digital Humanities, mcginne@lafayette.edu, or see our Call for Proposals for the full details.