Tag Archives: fair use

Parodies: Pony Fabulous

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Today, I saw a very well done parody video of one of Taylor Swift’s new songs. After watching, I thought of its implications in terms of copyright, and decided that this video indeed fell under fair use. The purpose of the work is purely entertainment. Since this entertainment is geared, I suspect, to an audience who generally dislikes Swift, the effect on the original song’s potential market is null. With two of the four factors of fair use checked off, I would like to bring a bit of my frenemy Goldstein into this discussion. As noted from his discussion of software protection under copyright, copyright does not protect the method or process of a text, only its expression (191). The creator of this video certainly does not replicate Swift’s expression of her song, since he changes the lyrics entirely and score slightly; his message/theme is entirely different from hers. The sound itself can be thought of as the process: copying that is perfectly legal.

Only a few minutes after thinking of this blog post, I remembered another parody video of a different nature. This video was made by a TV station in order to promote its own show. Since I’m running out of space, I want to consider if this economic element changes the argument for fair use. What makes Equestria Girls different from I Knew Gary Was Trouble? Do they fall under the same or different cases of fair use?

Today’s Presentation – Professor Sikand

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It was truly eye-opening today to hear Professor Sikand’s talk about copyright in the world of film, especially with the issue of the high costs associate with licensing music. What I found a bit saddening was the fact that these costs often dissuade filmmakers from making certain works. In a way, copyright in this case holding back the progression and evolution of film. Granted, we should protect artists and ensure that they do not lose out on revenue from their works. However, perhaps some efforts should be made to ease up on the rules regarding the usage of songs. After all, who knows what potentially great films the world could be missing out on because of all the restrictions in place?

Television and copyright Laws

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Over winter break I interned at Lou Reda productions (located in Easton) they’re the mind behind cable documentaries focusing on Vietnam and WWII. The part of the job that pertains to this class was their film archive, they have an archive of thousands of hours of footage most of which is copyrighted. A large portion of their business comes from selling the rights to fair use footage they own. what I gained from this job was what could and could not be sold to other production companies for them to use. Anything shot by the US government was fair game to be sold, this meant any footage shot of USO shows, combat footage and propaganda films could be sold off to other companies. the majority of my job was going through their large archive fulfilling film requests so I  quickly learned how to tell what was shot by the Government and what had already been edited by someone else (say the History channel) and therefore couldn’t be sold.

what struck me in particular was that they seemed to have a large amount of footage that couldn’t be used due to copyright laws. When I asked one of my coworkers about this he explained that they saved the footage for when the copyrights ran out it would then be usable and therefore worth it to hold on to.

So I just thought I would share with you my hands on experience with copyright laws and hopefully it will help someone with their paper.