Monthly Archives: April 2013

photo releases of concerts

I came across this release statement that Lady Gaga was requiring photographers to sign for one of her concerts after I wandered onto this website. Going along with copyright in live performances, it seems that many artists prefer to have control over the release of photos of their performances.

“I personally haven’t encountered contracts as strict as Lady Gaga’s but I don’t usually work with such high profile artists,” Edmondson writes in an e-mail. “However, I believe very specific and restrictive contacts are common with big name artists/celebrities.”

 What do you think about Lady Gaga’s demands?

live performances and copyright

According to this website, “A public performance is considered under many national laws to include any performance of a work at a place where the public is or can be present; or at a place not open to the public, but where a substantial number of persons outside the normal circle of a family and its close acquaintances is present. The right of public performance entitles the author or other copyright owner to authorize live performances of a work, such as a play in a theater, or an orchestra performance of a symphony in a concert hall. Public performance also includes performance by means of recordings. Thus a musical work is considered publicly performed when a sound recording of that work, or phonogram, is played over amplification equipment, for example in a discotheque, airplane, or shopping mall.”  Until reading this, I had never considered publicly playing a song to be considered a public performance.  I guess this means that with the weather warming up, people who play music on the quad need to get some kind of permission from the artist to play their music.

Live vs. recorded

Although this may be a bit extreme, from my experiences, it seems as if going to a live concert is a completely different experience than listening to music on my ipod. Even though it is a lot more fun to go to a concert as the atmosphere is amazing, listening to the same songs on my ipod I find that they sound better; and in some cases they sound completely different. For example, here is a live version of one of Ke$ha’s live concerts, Rock in Rio; here are her published versions of the first two songs from that concert: We R Who We R and Take It Off. After listening to those songs it is hard not to realize the huge difference between her live performance and her better published versions. Thus, the fact that there is such a big difference I do not think that they should have the same restrictions in regard to copyright. I know that when people go to concerts they take videos on their phones and post them to youtube or facebook; and I think that there is nothing wrong with that. However, taking a video or recording a published song and then reposting it, without any consent is infringing on copyright.

Speeches vs. Published Work

Speeches are very different than published work. Even though the author of each may be the same (in some cases it’s not if there is a speech writer), published work is more polished than a speech.  A speech has structure, but there is room for the speaker to say what they want to.  A book has structure and there is no way of changing it.

In this video, (it is a very good video by the way), the canditate is talking about how America isn’t the greatest country in the world. People are video taping it. What someone video tapes someone saying something, it is obvious it is that person who said it.  Was the speech a public speech? Because if it was, it should be allowed to get distributed to the public because anyone could have gone.

If you need tickets to a speech, then there should be more regulations; especially if you have to buy tickets.  That means it is a private speech and there is a limit on the amount of people who could see it.  And this is the case for a reason.  If the speaker wanted everyone to have access to the speech, they would make it public.

I probably could have video taped Tony Blair’s speech, I didn’t try. I can try for the Goodall speech, but I don’t want to be kicked out.

Different type of concert

Recently I have become aware of artists putting on online concerts for their fans to enjoy in the comfort of their own homes, for free. Usually such artists are not too popular, but this type of idea reminds me of how concerts used to be according to a clip from the sweet spot – not to make money, but rather to just get the music out there and share it. One may think that this type of concert is basically the same as looking up the songs on youtube; however, it does have the live aspect to it that makes it different. I wonder what would happen if someone were to audio record or videotape a concert like that? Would anyone ever even know it was being recorded? And the fact that its already free- would that mean it’s completely okay to be recorded?

Intersection of Perfomance and Art and Performance Art

Why pay more for a concert when you can enjoy crystal clear music in the comfort of your own home? Anyone who has ever been to a concert, mosh, or other appearance of a favorite artist will tell you the experience is everything. The concert is an entirely different product than the music recording; the musician truly becomes an artist since she works with visual as well as sound media. Such is the case with a brilliant piece by the brilliant Amanda Palmer. Watching this video, I hope you’ll notice it is not your average straight song variety. She uses Gaga’s Bad Romance in a satirical performance which comments on Gaga herself as well as performance art in general. The fact that the song is not hers only emphasizes the other elements of the show that she had to plan and create. The choreography, wardrobe, sequencing, and original spoken parts are all products of Palmer, and come together to create a unique experience which is entirely hers. In this way, live performances would operate just like books under a copyright.

Dave Matthews Appreciates Aura

Audio recordings deal with producers and other artists that contributed to the song and want a cut.  This makes recorded songs more strict with regards to copyright because of its expected payout.  Concerts on the other hand are sometimes more lenient with regards to recording when they understand the aura that results from a live performance.  A band that appreciates the presence of their aura is the Dave Matthews band.  In the legal section of their website they state, “Dave Matthews Band allows audiotaping at almost every live performance. We feel that each show is unique and want to offer our fans the opportunity to recreate the live experience through the audio reproduction of our shows.”  Hopefully more bands will begin to understand this concept and allow more recording.  Its interesting though that they only allow audio and no video recording..

Why concerts take your camera

This article explains laws with regards to recording live performances, the most important excerpt from this article explains what is legal vs what is practiced:

“Taping a portion of a show for your personal use is almost certainly fair use.  Except, since everyone realizes that stopping the taping is much much easier than pulling down videos from the internet, the venue might confiscate your phone until the end of the show or shorten your night by throwing you out of the show.  Both of which they can do.”

So the confiscation of recording devices is more of a safety precaution than a legal necessity.  If clips are short and used for personal use, there is no violation of copyright.

Concerts vs Recorded

Copyright with regards to concerts and recorded music is similar.  they both must adhere to the 4 basic principles.  Recording a concert or copying a song are both mainly in violation of rules 3 and 4: the amount of the work as well as affecting the market for the work by obtaining it for free.  But since the amount is a determinant of a violation of copyright, video taping short personal segments is not against copyright laws.

 

It’s all about that stage presence, baby

Looking forward in the music industry, musicians better have good stage presence, or they just won’t make it. With cheaper versions of albums and songs online coupled with good old-fashioned piracy artists just can’t make enough money on selling their own music. According to this intelligent fellow, music artists nowadays need to make their money on the tour. People may be reluctant to buy recordings, but there is no indication that they’re getting tired of the concert. After all, a concert is something that is not reproducible. Since it is live, each concert, even of the same sequence of songs, will be different. That makes live performance unique. Perhaps, if Bowie is right and copyright will dwindle in recording, it will instead supplant itself on live performances. Even such a complex experience as a performance can be traced to a musician’s intellectual property.