Lafayette College is fortunate to have award-winning artist, Mary  Magsamen visiting April 4-5, 2011 as part of the newly established the  Third Street Artist-In-Residence Program. Magsamen is most noted for her  innovative work with husband, Stephen Hillerbrand. The duo has been  working together for many years, collaborating on video art projects  that often include collaborative performance. Their films have been  screened and exhibited internationally including at the Ann Arbor Film  Festival, Boston Underground Film Festival, LA Freewaves New Media Art  Festival, Stuttgarter Filmwinter, the Aurora Picture Show, Chicago  Underground Film Festival and the Dallas Video Festival, the Hudson  River Museum, Boston Center for the Arts Mills Gallery, Light Factory  Contemporary Museum of Photography and Film and the Dallas Contemporary.
Many of Magsamen’s projects often address issues related to language,  identity, media and family in the context of a distinctly American  cultural system.  Her conceptual and metaphoric work is beautifully  detailed and profoundly executed although at times, unexpected and  shocking. She is often the subject of her work (as is her husband,  Stephen Hillerbrand) as seen in the short film, “Cheese Puffs.” The  couple takes turns submerging their faces in a tank full of water and  cheese puffs until the water turned opaque with oil and it is filmed in  such a way that they appear to be having some kind of conversation with  each other. Their goal was to highlight middle class suburbia’s  relationships with food, fast foods and chain food restaurants that most  Americans are acutely familiar with. Magsamen is intrigued by  anthropogenic and political relationships and enjoys exploring man’s  relationship with his surrounding culture and the challenges humans face  everyday. During her visit to Lafayette, Mary will be visiting classes,  lecturing and even critiquing upper level students work.  There will be  a brown bag lecture open to the public at 12:15 pm on Tuesday April 5 in Williams 108.