Unbreakable Kimmy Schmidt – Funny with a new gaze

I know I’m a little lat in the game with this, but I just read Christina Shaman’s post on Netflix as a platform for progressive T.V. shows.  In this post, Christina used Tina Fey’s Unbreakable Kimmy Schmidt as her example as a progressive show available on Netflix.  I saw this, and got really really happy that I’m finding more and more people who love this show,  because I think it’s one of the best shows I’ve seen in a while – and not just because it features a cast in which a woman and a gay black man take center stage, but because it is genuinely hysterical.

Following Christina’s post, this post is really aimed at the fact that the show makes me, a white male, laugh.  Why is this relevant or important? I would argue that this is important because after watching a few minutes of Spike Lee’s Bamboozled, it became clear that television executives really don’t think that their dominant demographics will enjoy shows featuring scantly represented minorities in major roles unless that role involves making fun of them in some way.  Some rationalize this phenomenon using by declaring that it’s just not what their consumers want to see, and it is a consumer driven industry so they’re required to produce such lopsided representations as to make more money.

However, shows like Unbreakable Kimmy Schmidt challenge this notion by packaging and selling a type of goofy, ridiculous and frankly hysterical sense of humor that is dependent on two poor, enterprising roommates that aren’t weighed down by traditional gender roles.  The jokes gently probe at different a multitude of issues that society faces in the modern world, including (as Christina mentioned as well) jokes about race (people are more scared of blacks than werewolves) women (e.g. gold digging) the rich and entitled (Kimmy’s first boyfriend, Logan).  It really spreads the wealth when it comes to humor, and no one is safe from a jab or two.  It’s a lot easier even to respect this type of humor when it is coming from a typically voiceless group.  This reminds me a lot of the style South Park employs (albeit coming from a much different gaze); an open humor forum in which the protagonists are responsible for belittling literally every single demographic or organization of people who is flawed (so truly everyone).  This is a harsh, comedic yet socially responsible roast-model that does a good job of leveling the playing field and allowing stereotypes to move out of the realm of deep-seated hatred and into a world where differences are recognized, ridiculed and ultimately either accepted as silly and insignificant or condemned as cruel and in need of reform.  Kimmy’s gaze is vitally important in this way as she is both a boisterous woman and someone who was literally removed from 15 crucial years of society’s post-millennial development.  I’d love to see even more people give this show a shot and really try to view it objectively.  It’s really funny.

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