My Mississippi

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Twice I thought I might drown in the Mississippi River. For someone who grew up more or less near The River—my hometown was known as a river town—I had little experience with it. I never felt compelled by it; never felt particularly lucky or unlucky to be within its reach. My parents showed no interest in it; our family had no money for a boat and we never spent any time along its banks.

When I was nineteen or twenty, I was pulled from the river by Mike Heiderscheidt, a co-worker of mine who made a spectacular dive off our boss’s boat to save me. Dick—his real name—was a weasel and a prick, but the boat party was his attempt to show he was not. It was a weird night. It didn’t take long for everyone on board to get sloppy drunk on the boss’s beer and booze, and things started to happen that I didn’t want to see. People were pitching beer cans into the water and laughing way too hard at jokes that weren’t funny. One of the 60 year-old office ladies was sitting on Dick’s lap letting him squeeze her like a stress toy. I looked over and saw my friend Chris, a hemophiliac in fragile health, smoking cigarillos he’d been given by the creepiest of our night managers. Chris caught my eyes and before I uttered a word told me: “Shut the fuck up.” I thought I’d have a better time in the water, so I jumped in for a swim.

The river was a relief, except for the odd beer can floating by. I was treading water about 20 yards off the end of the boat, watching the raucous party of Captain Dick. Everything was fine until a big wave hit me and I took a mouthful of brown water. In fact, everything was still fine, but Heiderscheit didn’t think so. I don’t remember any fear or even the notion that I might be in trouble. What I do remember was Heiderscheit in action.

Someone had seen the wave hit me and called out, asking if I was OK; I waved back, but was coughing out what I’d just gulped. I saw Mike grab a life preserver and launch himself through an arcing dive into the water. It was a pretty dive, and in four seconds he was shoving the orange vest in my face. I was soon back on the boat, and for the rest of the night kept wanting to jump back in. Only through the insistent warnings of my shitfaced co-workers did I begin to consider I might have been in danger.

I guess that was the second time the Mississippi almost got me. The first time was when I was about ten, when my brother and I went out in a boat with our crazy Uncle Red. I loved my uncle, who was a river fisherman, and the few outings he took me along on were, for me, all about spending time with him, not about any special passion or intimacy I felt for the river. My dad didn’t like Red much, thought he was irresponsible and a drunk—which he was—and he didn’t like to give us too much unsupervised exposure to him. Once when we were all fishing with Red below the bluffs of Eagle Point Park, on the upstream shore near the big Lock and Dam Number 11, my dad screamed at me to not stand so close to the edge of the water. “You could fall in,” he warned, “and you’d go right under those big doors and that would be it for you!” I edged back, pissed. Every time I saw the Lock and Dam after that, I stared at the doors and the white, choppy water roiling out of them. I learned to fear them and repeatedly imagined being sucked beneath the wide metal plates, knocked out and choking to death under their suffocating, silty pressure.

I don’t remember how we were allowed out on the boat with him, but there we were bumping directly toward the Lock and Dam, Red maneuvering the Evinrude to a spot just below the big gates so that we could fish the edge where the churning water met the calm. Even though we were anchored safely downstream from the great wall of concrete and metal, I could see the violent water sucking driftwood back toward it, banging the flotsam up against the silver face of the dam. My brother Scott and I fished but had no hits, all the while I stared at the maelstrom in front of me, my dad’s words conjuring images of my destruction in my head.

Red decided we needed to reposition the boat to get us closer to the dam, so we pulled up the cement anchor and waited for his word as he edged the aluminum boat upstream. The idea was to go to the edge of the rough water, then throw out the anchor so we could try the vein where the fish were holding up. When we reached the border of rough water Red cut the engine, then told my brother to throw the anchor off the bow—only Scott was not ready for the throw when Red called for it. The boiling water spun the boat around and as Red yanked the cord for the restart, the anchor rope wound about the propeller and killed the engine. Powerless and without an anchor on the bottom, the boat was sucked toward the dam. Quickly we were being jostled and tossed and in a few seconds we were up against the doors. Metal boat smacked steel wall, scraped up its side and scratched back down.

The arms of each huge section of the dam protruded out into the river so that up against the doors, you were in a room with three towering sides. The only exit was back out, through the white water. I was sitting in the mouth of the monster that wanted me in its belly. And now it had me. All it needed to do was open wide and swallow.

My brother was white and rigid, and Red was bent over the back of the boat cutting through the layers of rope that had the propeller in a death grip. The roar of the water surrounded everything and if any words were spoken I never heard them. To steady myself, I reached out and touched the malevolent silver face of the dam, pocked with huge rivets no boy was meant to touch.

But I didn’t even get wet.

After several banging minutes on the belching water, Red had the propeller free and the outboard did its job. I couldn’t hear it, but the blue smoke was there and the world brightened as we moved out from the shadow of the walls. I looked back to see the monster, still spitting its froth from its metal teeth, shrink behind us. I could hear the Evinrude again now, and see my uncle mouthing something toward us. He was saying it was time to get off the river.

Now, when I return to my hometown river town to visit my mother during the holidays, I always make it a point to drive to the river just below the dam. Usually the season is cold enough for the water to have iced over. And there you see the eagles—dozens of them—bald eagles sitting on the ice’s edge, staring into the open water and looking for fish to rise. The black water remains open for a hundred yards below the dam, then eventually ices up as the water flattens and slows. There, on that sharp edge of liquid and solid worlds, sit the eagles. From where I sit, they seem to be staring down the metal monster, forever foaming at its mouth.

Patterns in Nature

My mineralogy class challenged me to notice patterns in nature, such that they might represent forms of symmetry or unit meshes. This assignment aligned nicely with the fact that this course has also challenged me to actually take the time to see the world around me. One interesting example I noticed was the plant pictured below. It is imperfect, but it still shows signs of a pattern, repeated around the center of the plant and also down its stem. The leaves extend from the stem in groups of two or four at different levels all the way down. I stood around the plot just staring at the plants for a few minutes, as this odd pattern genuinely intrigued me. Of all the plants in the plot, I found this one most interesting.

Story of Place Round II

Picture-83Picture-71Over the past week, we’ve decided to focus of our project on the impacts of flooding on the area surrounding the Bushkill Creek and the greater Easton area. On Thursday we plan on going to the Nurture Nature Center to try to gather as much information as we can about the history of flooding in the city and what sort of public education the Center currently provides. The Center, which was founded in 2007, offers various programs on environmental risks for the general public. We think this would be valuable to get an idea of what the public perception is about flooding and the risks that people may or may not be aware of when they live so close the water. After some further research on the Williams Arts Campus, which is in the 100 year – flood plain, we were able to find some the of the plans for the project. We want to look further into why the college would build in a flood plain if you know the risk and what precautions they take. We plan on reaching out to Prof. Mary Wilford-Hunt, the schools architect, for additional information.

Screen Shot 2015-09-22 at 8.13.18 PMIn addition to this, we looked into what used to exist on these sites in the past and perhaps try to find out what happened to those place. We used what photos we were able to find online as well as the Sanborn Maps of Easton from around 100 years ago to investigate what used to be in this area. Specifically, we are interested in examining why there used to be two streams the flowed under the North 3rd street bridge. Attached are some of the photos and maps we found:

Bushkill Sanborn

A map of the North 3rd Street area, circa 1919

 

 

 

 

 

 

 

Flooding at the bottom of College Hill in 1903

 

 

 

 

 

 

 

Our goal is to compare flooding to development in the area. Does periodic flooding have anything to do with the redevelopment of the space? Is architecture in the area focused around flooding? What companies or buildings have occupied the space over time and how were they effected by flooding? Separately, when did Lafayette begin to take control of the space? Who used to live there and were they forced out by the college? These are just a few of the questions that we are looking forward to exploring throughout this project.

Leaf Rubbings

I volunteer with a girl scout troop in Easton and today was our first time of the semester to go down and see the troop. When I got down the Boys and Girls club I was pleasantly surprised that our craft was centered around celebrating the beginning of fall. To celebrate we went on a nature walk with the kids and collected the leaves that have already fallen off the trees. It was nice to take the time out of the day to walk outside and it was a fun experience to be outside with elementary school aged kids and hear their perspectives and thoughts about nature. When we finished our walk we took the leaves and used crayons to make leaf rubbings. After we used mod podge and glued some of the leaves we found on to our pictures. Below are some of the pictures the girls in the troop made. It was a nice little encounter with nature.

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citizen science

Russell’s book got me thinking about who is it that is doing citizen-science, since much of science is still dominated by white males, and to a lesser extent white females. It would seem that a positive attribute of citizen science is that it should remove most of the academic/economic/social (i.e. college degree) obstacles to participation in natural science, and thereby possibly appeal to folks from all walks of life. Indeed I did find several references to this while cruising the internet looking at citizen-science projects. This Hudson River Eel Project sounds particularly cool to me (cooler than tiger beetles). Here is a NYTimes op-ed about the project – well-worth a read.

In related matters, the other evening I saw entomologist Doug Tallamy (author of “Bringing Nature Home“, excerpts of which we will read later) speak about the ecological impacts of non-native plants in our home landscapes. Much of his data has been generated on his own 10-acre property, and he mentioned that he runs a citizen-science project, where people submit pictures of birds with insects in their bills, and he identifies the insects. It turns out that caterpillars (rich in protein, fats, and carotenoids) are really important in the diet of songbirds during the nesting season, and if there are no native trees and shrubs, there are very few caterpillars to be had, and thus few birds. Sounds like another version of Silent Spring? Here’s a description of his project.

Mystery Crest at Marquis

 

Lastnight on my way to dinner at Marquis I looked up and noticed a crest on the top of Marquis Hall that i had never seen before. I have walked by this building millions of times without seeing it!!  Has anyone else noticed this before or know what it might be?

I know that this isn’t exactly an image of nature that we were asked to snap photos of but its definitely something in my environment that stood out to me.

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Can we own nature?

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Yesterday, I bought a fish. I’ve had many pets before but this was the first animal that I myself purchased. It was a very weird experience. The idea that I have the entitlement  to walk into a store, randomly pick one of the fish who was randomly circling the tank with all of the other fish, and then to take him home with me gave me a weird sense of power, for a lack of better words. I was very aware of my position at the top of the food chain for this little guy, who had no say in why he was chosen or brought home with me. What gives me the right to own him, to call him mine and have other humans look at him as my “property?”

Even with all of these questions and misgivings, I am still more than excited to have a fish. I spent probably too much time last night just sitting and watching him explore his bowl.

High Water Marks

Knoebels is a free admission amusement park in Pennsylvania, located nearby much of my family. During my most recent visit, I thought more about an aspect of the park’s history which I had not previously given much thought: the floods. I was reminded of this in class during a discussion about how we, as humans, are not always at the top of the food chain or in control of natural occurrences. We may be totally at the mercy of natural forces, one of which being the incredible force of water.

Dillard’s Flood piece discusses the flood at Tinker Creek caused by Hurricane Agnes, the very storm which first caused floods at Knoebels in 1972. Dillard describes the flood by saying, “Tinker Creek is out of its four-foot banks, way out, and it’s still coming. The high creek doesn’t look like our creek. Our creek splashed transparently over a jumble of rocks; the high creek obliterates everything in flat opacity.” The sheer force of the flooding water overwhelms the creek as the narrator knows it and completely transforms it into a whole different creature. This Hurricane Agnes caused floodwaters to rise and meet 24 out of 25 total rides in the park. Despite this, the park reopened only 9 days later. The area was transformed, like at Tinker Creek, by the sweeping waters.

Knoebels faced additional floods in 1976, 1996, 2004, 2006, and 2011. There are markers around the park to indicate the levels to which the water rose during a particular flood. Signs cover various trees and the side of a covered bridge, showing how much of the park would have been submerged on these occasions. I actually remember the impacts of the 2011 flood, which replaced the 1972 flood as being considered the worst to hit the area. The force of the rushing waters left the workers and attractions powerless, as they swept across this happy place, spreading further and reaching areas never before affected. The small stage for daily shows, where my cousin performed, was carried across the park. The covered bridge was largely submerged. As in 1972, the dedication of the community and staff allowed the park to reopen only 10 days later. It is always shocking to see the high water marks while walking around the park today, knowing how forceful and intense the waters were during the floods. And yet, the park has continued to operate successfully with minimal setbacks.

Some Ramblings Prompted by Apples

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Extreme Apple Picking

This past weekend, I went up to Ridgefield, CT, the hometown of my boyfriend, Jesse. I’ve always loved his town, house, and the property on which his house sits. As I said in class, his house is a barn built sometime in the late 1700’s in upstate NY which was picked up piece by piece and moved to Ridgefield, CT by some guy who eventually sold it to Jesse’s parents in the early ’90’s. Although his house includes all modern conveniences, it reminds me a bit of Thoreau’s house. Jesse’s house is also made entirely from wood, near a pond, a few miles from the nearest town (there aren’t really even any neighborhoods in this area, just a house every few acres), and is surrounded a thriving ecosystem which can truly breathe life into whomever lets it.

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Less Extreme Apple Picking

I had the unique and wonderful opportunity this past weekend to take part in the most bountiful harvest of the two massive apple trees that sit behind Jesse’s house yet. According to Jesse’s parents, this fall has yielded the most amount of apples with the highest quality (large, round, without wormholes). We climbed up on ladders to pick the apples, but then Jesse’s dad brought his backhoe around to the tree, put Jesse up in the bucket, thus increasing the range of apple picking. Throughout the rest of the day, we grinned apples into pulp and pressed them to make cider, we cut them into slivers to bake into apple crisp, and we cooked them down and used a device to create apple sauce. It’s a truly amazing experience when you can follow a food from harvest to processing to consumption all in one day.

There was something truly special and refreshing about yesterday. I don’t think it was solely from the apples. It was because I got to roll around in the grass unbothered by a bustling campus around me. It was because I was energized by the change of the seasons which was far more present there than here in Easton. Thoreau may have been whispering in my ear while I was imbibing the crisp air, apple smells, and gnats around me: “There can be no very black melancholy to him who lives in the midst of Nature and has his senses still” (141). It’s true. A lot of things could have bothered me yesterday. I could have easily felt an urgency to get back on campus to get ahead on homework. I could have mourned the end of summer and all of my summer goals left unaccomplished. Although sometimes Thoreau is contradictory or purposefully abrasive, a lot of the times, he’s simply and honestly correct. Many of my friends have pointed down at “Walden” while I have it out in the library or elsewhere and said something along the lines of “Ah, Walden. Great isn’t it?” Not as many people would say that if the key thing they took from it was his prickles and irony. People say that because this work of art has spoken serious truth to them that they cannot dispute and, hopefully, try to fold into their everyday lives. I know that’s how I feel about “Walden” thus far and I cannot wait to get to the point where a piece of “Walden” is relevant to every day of my life. Guess I have to read the rest of it!

 

Flood Warning

Today we touched on experiences in nature that made us uncomfortable. Specifically, times when we were no longer at the top of the food chain. I began thinking about other instances when we might find ourselves at the mercy of Mother Nature.

I was reminded of the Annie Dillard piece, Flood, and how it talked about the power and influence of water on our lives. One part talks about a snapping turtle and how, after the storm that caused the flood, there was a snapping turtle being bothered by a group of children with a broom handle. The broom poked the turtle as entertainment for, as Dillard says, “you shove a broom handle near it, and it ‘snaps it like a matchstick. It’s nature’s way; it’s sure-fire’” (156). This idea that there is an expectation of nature when you go into it, but get something totally different. The turtle ends up disappointing the children when it refuses to bite the broom. This paragraph about the snapping turtle is meant to remind the reader that you don’t always get what you expect from nature. In the rest of the piece, Dillard tells the story of a flood that occurs on Tinker Creek. While the creek usually provides a quiet brook for the locals to enjoy, the flood causes mass destruction and reminds us that there are parts of nature we have no control over much like the will of a snapping turtle.

Dillard, also remarks at the end of the piece, however that from the flood came some kind of good, where one of the homes damaged by the flood recovered and took something from the disaster. The flood left behind, at one of the homes not completely destroyed by the flood, a giant mushroom for the owners to enjoy. Dillard says, “the flood left them a gift, a consolation prize, so that for years to come they will be finding …mushrooms” (160). Even while there may be destruction from these floods, life will go on.

I think a flood is like a wild animal, from far away they may be an awesome sight, but they’re not something you want to see at your front door.