Notes on Boys Don’t Cry and Female Masculinity

  • Cooper articulates in her essay that the film is an investigation of heteronormativity through a narrative that privileges female masculinity in four ways:
  1. by dismantling the myth of “America’s heartland”- Brandon going against the norm of America’s heartland
  2. problemizing heteromasculinity- John and Tom portray masculinity but the film shows that in a twisted way, making it seem bad
  3. by centering female masculinity- Brandon idolizes John and Tom in the beginning of the film but once he becomes infatuated by Lana, he realized he can put his own spin on masculinity
  4. by blurring the boundaries of female masculinity-Lana refuses to acknowledge that Brandon is biologically female but identifies as a female, which is where the boundaries got blurred
  • Cooper said the director of the film, Kimberley Peirce didn’t want to just re-tell the “sensationalized” murder story of Brandon Teena.  She wanted to reclaim why a girl would want to identify as a boy in the first place
  • The media coverage on Brandon’s death focused almost exclusively on the fact that he was a girl passing as a boy
  • New York Times film critic, Janet Masin, said “tabloid-ready tale attracted the kind of omnivorous media attention that distorts the truth beyond recognition and milks reality dry”
  • Heteronormativity is constantly reinforced by the media, which depicts characters who transgress from heterosexuality as “comic, weak or evil” linking those characteristics with “criminality”
  • Varied forms of female masculinity, including trans-sexuality have been seen in an unfair way
  • Even scholars have shown no interest in masculinity
  • The media illustrated Brandon as a threat to traditional family values, to innocent women, but most aggressively portraying him as a threat to America as a whole
  • Perice captures Falls City, not as a town with hard working, simple, religious folk but rather as a dismal place with dysfunctional families, dead-end jobs, and abundant alcohol and drug use to pass the time hoping one day to escape.
  • Characters surrounding Brandon in the film are alcoholic, depressed, violent and promiscuous, showing Brandons normalcy and good nature
  • The film suggests Brandon as the one who isn’t “sick”

 

Questions:

Does Brandon being transsexual change the way we view rape?

Do you think it would’ve added to the story if we got a chance to see what Brandon was like when he was a girl? How might it have changed the film?

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