Bibliography

Imperial Japan:

Gakushūin Daigaku shiryōkan 学習院大学史料館 ed.  Ehagaki de yomitoku Taishō jidai 絵葉書で読み解く大正時代 (The Taishō Era as Understood Through Picture Postcards). Tokyo: Sairyūsha, 2012.

Hosoma Hiromichi 細馬宏通. Ehagaki no jidai 絵はがきの時代 (Postcard Era). Tokyo: 青土社, 2006.

Ikeda, Asato, Aya Louisa Mcdonald, and Ming Tiampo. Art and War in Japan and Its Empire, 1931-1960. Leiden: Brill, 2013.

Ikuta, Makoto 生田誠. Rosuto modan Tokyo ロスと・モダン・トウキョウ Lost Modern Tokyo. Tokyo: 集英社新書ヴィジュアル版０二七V, 2012.

______. 2005 Nihon ehagaki katarogu [2005 Japanese Picture Postcard Catalog] 日本絵葉書カタログ. 東京:里文出版, 2004.

Mori, Yasumasa 森安正. Zenkoku ehagaki shigaichi sōran 全国絵葉書市街地総覧 [Nationwide Overview of Cities, Towns and Streets in Japanese Postcards]. Kyoto: Ehagaki bunka o tanoshimu kai, 2009.

Morse, Anne Nishimura, J. Thomas Rimer and Kendall H. Brown. Art of the Japanese Postcard. Boston: MFA Publications a Division of the Museum of Fine Arts, 2004.

Satō Kenji. “Postcards in Japan: A Historical Sociology of a Forgotten Culture.” International Journal of Japanese Sociology 11:1 (November 2002): 35-55.

Shimada Kenzō 島田健造. Checklist of Japanese Commemorative Picture Post Cards 日本記念絵葉書総図鑑　カラー復刻版. 日本郵趣出版, 2009.

_____. “Photography, National Identity, and the ‘Cataract of Times’: Wartime Images and the Case of Japan.” The American Historical Review 103, no. 5 (1998): 1475-1501.

Tanabe Motoki 田邊幹. “Media toshite no ehagaki” [The Meaning of Postcards as Media] メディアとしての絵葉書. Niigata kenritsu rekishi hakubutsukan kenkyū kiyō 3 (2002): 73-83.

Tomita Shōji 富田昭次. Ehagaki de miru Nihon kindai 絵はがきで見る日本近代. Tokyo: Seikyusha, 2005.

Tucker, Anne., et al.  The History of Japanese Photography. New Haven: Yale University Press in association with the Museum of Fine Arts, Houston, 2003.

Weisenfeld, Gennifer S. Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923. 2012.

Yamaji Katsuhiko 山路勝. Kindai Nihon no shokuminchi hakurankai 近代日本の植民地博覧会 (Colonial Expositions in Modern Japan). Tokyo: Fūkyōsha, 2008.

山崎好是(編). 『郵便消印百科事典』　東京:鳴美, 2007.

Korea:

Atkins, E. Taylor. Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945. Berkeley: University of California Press, 2010.

Kim Yong-beom  김용범.  “Modan toshi Keijō no junrei: Jongno, Honmachi ten” o mite. (Looking at “A Pilgrimage to Modern Urban Keijō: Jongno-Honmachi Exhibit”). Himoji shiryō kenkyū (The Study of Nonwritten Cultural Materials). No. 28 (July 2012): 2-9.

Kusui Kiyofumi 楠井清文. “Shokuminchi Chōsen ni tai suru ‘kankō no manazashi’ no keisei: Ritsumeikan daigaku kokusai heiwa myu-jiamu shozō ehagaki to bunkajin no kikōbun o chūshin ni.” (The Construction of the ‘Touristic Gaze’ Regarding Colonial Korea: The Postcard Collection at the Ritsumeikan University Peace Museum and the Travel Writings of Literati).  Art Research Journal  アート・リサーチ/紀要 vol. 12 (2012): 31-43. link

Kwŏn, Hyŏk-hŭi 권 혁희. Chosŏn esŏ on sajin yŏpsŏ (Postcards from Korea) 조선 에서 온 사진 엽서. Sŏul: Minŭmsa, 2005.

Lynn, Hyung Gu. “Moving Pictures: Postcards of Colonial Korea.” IIAS Newsletter 44 (2007): 8-9. link

Pai, Hyung Il. Heritage Management in Korea and Japan: The Politics of Antiquity and Identity. 2013.

_______. “Navigating Modern Keijō : The Typology of Reference Guides and City Landmarks.” Seoul Hak (Seoul Studies) XLIV (August 2011): 1-40.

_______. “Tracing Japan’s Antiquity: Photography, Archaeology and Representations of Kyŏngju.” Symposium Volume Oriental Aesthetics and Thinking: Conflicting Visions of “Asia” under the Colonial Empires edited by Shigemi Inaga. pp. 289-316 (International Center for Japanese Studies, Kyoto, Japan, 2011).

Park, Mijeoung 朴美貞. Teikoku shihai to Chosen hyosho–Chosen shashin ehagaki to teiten nyusensaku ni miru shokuminchi imeeji no denpa 帝国支配と朝鮮表象――朝鮮写真絵葉書と帝展入選作にみる植民地イメージの伝播. Kokusai Nihon bunka kenkyu sentaa 国際日本文化研究センター, 2014. link

Urakawa Kazuya 浦川和也. ‘Ehagaki de Chōsen sōtokufu o miru: “Chōsen hantō ehagaki” no shiryōteki kachi to naihōsareta “mezashi”‘ [Looking at the Government General of Korea with Picture Postcards: The Value of “Korean Peninsula Postcards” as Historical Materials and their Implicit Views]. Shuka 朱夏21 (August 2006): 39-52.

Yu Sŭng-hun 유승훈. Sajin yŏpsŏ ro ponŭn kŭndae p’unggyŏng 사진엽서로보는근대풍경[The Looks of Modern Korea from Postcards]. 8 vols. Pusan Kwangyŏksi: Pusan Pangmulgwan ; Sŏul-si: Minsogwŏn, 2009.

Taiwan:

Barclay, Paul D. ‘Nihontsū no me o tsūshite mita Taiwan: Taiheiyō sensō chokuzen ni Amerika ryōjikan ga shūshū shite ita ehagaki to shashin’ (Formosa Through the Consul’s Eyes: Postcards from a ‘Friend of Japan’ on the Eve of the Pacific War) Taiwan Genjūmin Kenkyū 12 (2008): 85-112.

_______, Peddling Postcards and Selling Empire: Image-Making in Taiwan under Japanese Colonial Rule. Japanese Studies 30, 1 (May 2010): 81-110.

Eskildsen, Robert. “Of Civilization and Savages: The Mimetic Imperialism of Japan’s 1874 Expedition to Taiwan.” American Historical Review, 107, no.2 (2002): 388-418.

Fix, Douglas L.  “Aboriginal Portraits and Ethnic Categories: Re-viewing Nineteenth-century Portraiture in Context.” In Proceedings of The 2014 International Conference on Formosan Indigenous Peoples: Contemporary Perspectives. Academia Sinica, Taipei, September 15-17, 2014.

Guo jia tu shu guan　國家圖書館, ed. Rizhi shiqi de Tainan [Tainan during Japanese Colonial Rule] 日治時期的臺南. Taipei: Guo jia tu shu guan, 2007.

He Peiqi 何培齊, ed. Rizhi shiqi de Taibei [Taipei during Japanese Colonial Rule] 日治時期的臺北. Taipei: Guo jia tu shu guan, 2007.

Kikuchi Yuko. Refracted Modernity: Visual Culture and Identity in Colonial Taiwan. Honolulu: U. Hawai’i Press, 2007.

Lee Ju-ling. “Contructing an Imaginary of Taiwanese Aborigines through Postcards (1895-1945).” In Meng Ji and Ukai Atsuko, eds. Translation, History and Arts: New Horizons in Asian Interdisciplinary Humanities Research, 111-135.  London: Cambridge Scholars Publishing, 2013.

Lin Yu-ru 林育如(ed.), Chou Meng-gui, et. al. Lao mingxinpian: Yuanzhumin pian (Postcards of Formosa: The Images of Native Taiwan) 台灣老明信片：原住民篇. Kaohsiung: Trongman Co. Ltd., 2008.

Liu Wei-min 劉 偉民. “The representation of the colonial image: the research of the aboriginal postcards’ images in Japanese period.” Masters Thesis, National Chenggong University, Department of Art. 碩士論文–國立成功大學藝術研究所. 2005.

Matsumoto Akemi 松本曉美 and Xie Senzhan 謝森展. Taiwan huai jiu 1895-1945 臺灣懷舊 1895-1945 (Nostalgic Old Taiwan 1895-1945). Taibei: Chuang yi li wen hua shi ye you xian gong si, 1990.

Xia Jingning 夏靜凝 et. al. Witness: The Colonial Taiwan 1895-1945 見證 –台灣總督府, 1895-1945 Vol. 1. Taibei: Li hong chu ban she, 1996.

Yamaji Katsuhiko 山路勝彦. ‘Ehagaki no minzokushi, aruiwa shokuminchi no hyōjō: kōminka jidai, senkakusha no egaita Taiwan Tsuouzoku no jigazō’ [Picture-postcard ethnography and Colonial Representations: Self-Images of the Taiwan Tsou People as Depicted by a Visionary during the Imperialization Era]. Taiwan Genjūmin kenkyū 台湾原住民研究  (Studies on Indigenous Peoples of Taiwan) 13 (2009): 76-93.

Yamamoto Yoshimi 山本芳美.”Meiji shoki no shinbun nishiki e to kawaraban ni miru Botan-sha jiken: sozo sareta Taiwan shuppei to Taiwan Genjuminzoku” (The Mudan Incident as Seen in Early Meiji Woodblock Print Newspapers and Broadsides: The Imagined Taiwan Expedition and Taiwan Indigenous Peoples) 明治初期の新聞錦絵とかわら版にみる牡丹社事件ー想像された台湾出兵と台湾原住民族.  In Taiwan Genjumin kenkyu no shatei: setsugo sareru kako to genzai 『台湾原住民研究の射程――接合される過去と現在』.  Edited and published by the Shungye Museum of Taiwan Indigenous Peoples 順益台湾原住民博物館. Taipei, 2014. pp.  247-285.

_______. “Paiwan shojo Otai kara miru ‘Botan-sha jiken’” パイワン少女オタイからみる「牡丹社事件」, Taiwan Genjumin kenkyu 台湾原住民研究 11 (2007):167-187.

Zhou Menggui 周盟桂, ed. Gao xiong lao ming xin pian [Old postcards of Kaohsiung] 高雄老明信片. Gao xiong shi: Gao xiong shi wen hua ju, 2004.

Zhuang, Yongming 荘永明. Taiwan shi ji hui wei: 1895-2000 台灣世紀回味: 1895-2000 [Scanning Taiwan] vol. 2. Taibei Shi: Yuan liu chu ban gong si, 2001.

________. Renshi Taiwan, huiwei: 1895-2000 認識台灣, 回味: 1895-2000 [Scanning Taiwan] vol. 4. Taibei Shi: Yuan liu chu ban gong si, 2004.

Manchuria

Asahi shinbunsha, ed. Shinsōban Nihon no sensō 1: Manshūkoku no gen’ei  新装版：日本の戦争１満州国の幻影 [New Edition: Japan’s War part 1: Phantasmic Manchuria]. Tokyo: Asahi shinbunsha, 2010.

Culver, Annika A. Glorify the Empire: Japanese Avant-Garde Propaganda in Manchukuo.  Vancouver: UBC Press, 2013.

Kishi Toshihiko 貴志俊彦. Manshūkoku no bijuaru-media: Postā, ehagaki, kitte 満 洲国のビジュアル・メディア: ポスター・絵はがき・切手 (Colonial Manchuria’s visual media: Posters, pictorial postcards, postal stamps). Tokyo: Yoshikawa Kōbunkan, 2010.

Mōri Yasuhide 毛利康秀. ‘Ehagaki kenkyūshi kara mita Harubin ehagaki no ichizuke to Dejitaru aakaibuka no igi’ [The Place of Harbin Picture Postcards viewed from Postcard Historiography and the Significance of Digitization of Archives]. Nihon Daigaku bunrigaku-bu jōhō kagaku kenkyūjo nenji kenkyū hōkokusho 8 (2009): 55-64.

Nihon yushu kyokai 日本郵趣協会(編).　<JAPEX ’08>記念出版　MANCHURIA 満洲･東北 Manchuria or Northeast China from the Philatelic Viewpoints.  東京:日本郵趣出版, 2009.

South Seas/Southeast Asia

Satō Kenji, ‘Ehagaki no naka no jinruigaku’ [Anthropology in Picture Postcards] in Yamashita Shinji, ed., Kankō jinruigaku [Touristic Anthropology]. Tokyo: Shin’yōsha, 1996, 45-53.

Urakawa Kazuya 浦川和也. “Kindai Nihonjin no Higashi Ajia, Nan’yō shotō e no ‘manazashi’: ehagaki no rekishiteki kachi no “ibunka” hyōshō” [The Japanese “Gaze” on the Peoples of East Asia and Micronesia: Archives Importance and the Other Race Representation, in the Japanese Picture Postcards]. Kokuritsu rekishi minzoku hakubutsukan kenkyū hōkoku 140 (March 2008): 117-164.

Russo-Japanese War:

Dower, John. “Asia Rising: Japanese Postcards of the Russo-Japanese War (1904-1905).” MIT Visualizing Cultures. http://ocw.mit.edu/ans7870/21f/21f.027/asia_rising/index.html

Kōgo Eriko. 向後恵里子.　「一枚の絵葉書から」『明星大学人文学部日本文化学科　ことばと文化のミニ講座』 Vol. 88 (January 2015). link

_______. ‘Nihon ehagaki: Nichiro sensōki ni okeru ehagaki buumu to suisaiga buumu o megutte’ [Japanese Picture Postcards: On the Watercolor Painting and Picture Postcard Booms of the Russo-Japanese War Period]. Waseda Daigaku kyōiku-bu Gakujutsu kenkyū 58 (February 2010): 59-90.

_______. ‘Teishinshō hakkō Nichiro seneki kinen ehagaki: sono jissō to igi’ [Ministry of Telegraphs and Posts Commemorative Battle Postcards of the Russo-Japanese War: On their Empirical Status and Significance] 逓信省発行日露戦役紀念絵葉書―その実相と意義―. Bijutsushi kenkyū 美術史研究 41 (2003): 103-142.

Miura Yasuyuki 三浦泰之. ’1900 nendai kara 1920 nendai no ehagaki arubamu kō’ [On a Picture Postcard Album from the 1900-1920 Era]. Hokkaidō Kaitaku kinenkan kenkyū kiyō [Bulletin of the Historical Museum of Hokkaido] 37 (2009): 129-164.

Seok Huajeong 石和静.  Nichi-ro sensō: fūshiga ni miru 日露戦争：風刺画にみる [The Russo-Japanese War Viewed from Caricatures]. Tokyo: Sairyusha, 2010.

Sharf, Frederic A., Anne Nishimura Morse and Sebastian Dobson. A Much Recorded War: The Russo-Japanese War in History and Imagery. Boston: MFA Publications, a division of the Museum of Fine Arts, Boston, 2005.

Shimazu, Naoko. Japanese Society at War: Death, Memory and the Russo-Japanese War Studies in the Social and Cultural History of Modern Warfare. Cambridge: Cambridge University Press, 2009.

Sino-Japanese War; National Mobilization (1937-45):

Asahi shinbunsha “shashin ga kataru sensō” shuzaihan, ed. Asahi shinbun no hizō shashin ga kataru sensō 朝日新聞の秘蔵写真が語る戦争 [The War Attested to by the Photographs in the Asahi News’ Secret Vault]. Tokyo: Asahi shinbunsha, 2009.

Kushner, Barak. The Thought War: Japanese Imperial Propaganda. Honolulu, University of Hawaii Press, 2006.

Politzer, Eric, “To Look at Flowers while Riding an Iron Horse: Some Railway Depots of North China,” Image File: A Journal from the Curt Teich Postcard Archives, Lake County Discovery Museum 13:1 (2002): 3-7.

Ruoff, Kenneth. “Japanese Tourism to Mukden, Nanjing, and Qufu, 1938–1943.” Japan Review 27 (2014): 171–200. link

Pacific War (1941-1945)

Asahi shinbunsha, ed. Shinsōban Nihon no sensō 2: Taiheiyō sensō  新装版：日本の戦争２：太平洋戦争 [New Edition: Japan’s War part 2: The Pacific War]. Tokyo: Asahi shinbunsha, 2010.

Earhart, David. Certain Victory: Images of World War II in Japanese Media. Armonk, N.Y.: M.E. Sharpe, 2008.

Germer, Andrea. “Visual Propaganda in Wartime East Asia – The Case of Natori Yōnosuke.” The Asia-Pacific Journal Vol 9, Issue 20 No 3 (May 16, 2011). link

Inoue Yūko 井上祐子. Senji gurafu zasshi no sendensen: jūgonen sensō shita no ‘nihon’ imeeji 戦時グラフ雑誌の宣伝戦：十五年戦争下の「日本」イメージ [The Propaganda War in Wartime Graphic Magazines. Tokyo: Seikyusha, 2009.

Kawamura Kunimitsu 川村邦光. Seisen no ikonogurafi: Tennō to heishi, senshisha no zuzō, hyōshō 聖 戦のイコノグラフィ：天皇と兵士・戦死者の図像・表象 [The Iconography of the Holy War: The Iconography and Representation of Emperor and Soldiers and those who Died on the Battlefield]. Tokyo: Seikyusha, 2007.

Ruoff, Kenneth J. Imperial Japan at Its Zenith: The Wartime Celebration of the Empire’s 2,600th Anniversary. Ithaca, N.Y.: Cornell University Press, 2010.

Wakabayashi Tōru 若林宣. Tatakau kōkoku: zasshi kōkoku ni miru Ajia Taiheiyō sensō 戦う広告に見るアジア太平洋戦争 [Advertising at War: The Asia and Pacific Wars as Seen in Magazine Advertisements]. Tokyo: Shōgakkan, 2008.

Japanese Imperial Photography/Art/Visual Culture

Akazawa Takeru 赤澤威, Ochiai Kazuyasu 落合一泰 and Seki Yūji 関雄二. Iminzoku e no manazashi: koshashin ni kizamareta Mongoroido 異民族へのまなざし: 古写真に刻まれたモンゴロイド (The “Other Visualized: Depictions of the Mongoloid Peoples). Tokyo: Tokyo Daigaku Shuppankai, 1992.

Clark, John. “Indices of Modernity: Changes in Popular Reprographic Representation.” In Being Modern in Japan: Culture and Society from the 1910s to the 1930s edited by Elise K. Tipton and John Clark. Honolulu: University of Hawai’i Press, 2000.

Fujitani, Takashi. Splendid Monarchy: Power and Pageantry in Modern Japan. Berkeley: University of California Press, 1996.

Kaneko Ryūichi, “Realism and Propaganda: The Photographer’s Eye Trained on Society.” In The History of Japanese Photography edited by Anne Wilkes Tucker, et. al. New Haven: Yale University Press, 2003.

Matsuda Kyōko. Teikoku no shisen: Hakurankai to ibunka hyōshō 帝 国の視線：博覧会と異文化表象 [The Imperial Gaze: Exhibitions and the Representation of Foreign Cultures/Others]. Tokyo: Yoshikawa kobunkan, 2003.

Mayo, Marlene, Thomas Rimer and H. Eleanor Kerkham, eds. War, Occupation, and Creativity: Japan and East Asia, 1920-1960. (Honolulu: University of Hawai’i Press, 2001).

Weisenfeld, Gennifer. “Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues,” positions 8, no. 3 (Winter 2000): 747-794.

Yamamoto Taketoshi, ed. Iwanami kōza: ‘Teikoku’ nihon no gakuchi dai shi kan: Media no naka no ‘teikoku’ 岩 波講座：「帝国」日本の学知：第四巻メディアのなかの「帝国」 [Iwanami Series: “Imperial” Japan’s Knowledge: Volume 4: “Empire” in the Media]. Tokyo: Iwanami shoten, 2006.

Other Postcard Research

Albers, Patricia. ‘Symbols, Souvenirs, and Sentiments: Postcard Imagery of Plains Indians, 1898-1918’ in C. Geary and Virginia-Lee Webb, eds., Delivering Views: Distant Cultures in Early Postcards. Washington DC: Smithsonian Institution, 65-89.

Albers, Patricia C., and William R. James. “Images and Reality: Post Cards of Minnesota Ojibway People: 1900-1980.” Minnesota History 49, no. 6 (July 1985): 229-240.

Albers, Patricia C., and William R. James. “Utah’s Indians and Popular Photography in the American West: A View From the Picture Post Card.” Utah Historical Quarterly 52, no. 1 (January 1984): 72-91.

Bagnall, Julie. “What to do with 323 postcards?” The Local Historian 41,1 (November 2011): 321-325.

Banta, Melissa. “Photographic Encounters in the Philippines, 1898-1910.” IIAS Newsletter 44 (2007): 14-15.

Brady, T. J. “Postcards and History.” History Today 19, no. 12 (December 1969): 823-831.

Brown, Stephen, and Bjarne Rogan. “An entangled object: the picture postcard as souvenir and collectible, exchange and ritual communication.” Cultural Analysis 4 (2005): 1+ Academic OneFile. Web. 5 July 2012.

Ciriaco, Conrado F. Catalogue of Philippine Picture Postcards, American Period: 1898 to 1941.  Philippine Republic: Self-Published, 1995.

Fraser, John, “Propaganda on the Picture Postcard,” The Oxford Art Journal (October, 1980): 39-47.

Griffith, Cathryn. Havana Revisted: An Architectural Heritage. New York: W.W. Norton, 2010.

Healy, Sianan. “Colonial post: aboriginal Australians in postcards, 1880s-1910s.” Melbourne Historical Journal 34 (2006): 51+. Academic OneFile. Web. 5 July 2012.

Hoskins, Janet. ‘Postcards from the Edge of Empire: Images and Messages from French Indochina.’ IIAS Newsletter 44 (2007): 16-17.

Jackson, Donald C. Pastoral and Monumental: Dams, Postcards, and the American Landscape. 2013.

_______. “The Pastoral, the Monumental and What Lies In-Between: Images of Dams and the Riparian Landscape.” In A History of Water Volume 3: The World of Water edited by T. Tvedt and T. Oestigaard.  pp. 323-348.

Laffan, Michael. “Another Andalusia”: Images of Colonial Southeast Asia in Arabic Newspapers.” Journal Of Asian Studies 66, no. 3 (August 2007): 689-722.

Likosky, Stephan. “Gender bending in early postcards.” The Gay & Lesbian Review Worldwide 18.5 (2011): 21+. Academic OneFile. Web. 3 July 2012.

Mantague, Joel G. Picture Postcards of Cambodia 1900-1950. Bangkok: White Lotus Co., Ltd., 2010.

Mathur, Saloni. “Wanted Native Views: Collecting Colonial Postcards of India.” In Gender Sexuality and Colonial Modernities, ed. Antoinette Burton, 95-116. Florence, KY, USA: Routledge, 1999.

Osorio, Alejandra. “Postcards in the Porfirian imaginary.” Social Justice 34.1 (2007): 141+. Academic OneFile. Web. 5 July 2012. [full text]

Prochaska, David. “Fantasia of the Phototheque: French postcard views of colonial Senegal.” African Arts 24.4 (1991): 40+. Academic OneFile. Web. 5 July 2012. [full text]

Prochaska, David and Jordana Mendelson, eds.  Postcards : ephemeral histories of modernity. University Park, Pa. : Pennsylvania State University Press, c2010.

Rowley, Alison. “Monarchy and The Mundane: Picture Postcards and Images of The Romanovs, 1890-1917.” Revolutionary Russia 22, no. 2 (December 2009): 125-152.

Sinervo, Aviva and Michael D. Hill. “The visual economy of Andean childhood poverty: interpreting postcards in Cusco, Peru.” Journal of Latin American and Caribbean Anthropology 16, no. 1 (2011): 114-142.

Smith, Laura E. “Modernity, Multiples, and Masculinity: Horace Poolaw’s Postcards of Elder Kiowa Men.” Great Plains Quarterly 31, no. 4 (2011): 125-145.

Talukdar, Shashwati. “Picturing Mountains As Hills: Hill Station Postcards and the Tales They Tell. Tasveer Ghar: A Digital Archive of South Asian Popular Visual Culture. accessed 10-18-2014. link

Vanderwood, Paul J. “The picture postcard as historical evidence: Veracruz, 1914.” Americas: A Quarterly Review of Inter-American Cultural History 45.2 (1988): 201+. Academic OneFile. Web. 5 July 2012.

Vann, Michael G. “Of Pirates, Postcards, and Public Beheadings: The Pedagogic  Excecution in French Colonial Indochina.” Historical Reflections 36, 2 (Summer 2010): 38-58.

Vokes, Richard. “Reflections on a Complex (and Cosmopolitan) Archive: Postcards and Photography in Early Colonial Uganda, c.1904-1928.” History & Anthropology 21, no. 4 (December 2010): 375-409.

Wollaeger, Mark. “Woolf, postcards, and the elision of race: colonizing women in ‘The Voyage Out’.” Modernism/Modernity 8.1 (2001): 43+. Academic OneFile. Web. 5 July 2012.

Research in the History of Imagery and Empire, Colony, and Post-Colony

Behdad, Ali, and Luke Gartlan. Photography’s Orientalism: New Essays on Colonial Representation. 2013.

Chaudhary, Zahid R. Afterimage of Empire: Photography in Nineteenth-Century India. Minneapolis: University of Minnesota Press, 2012.

Edwards, Elizabeth, ed. Anthropology & Photography. New Haven and London: Yale University Press, 1992.

Geary, Christaud M. In and Out of Focus: Images from Central Africa, 1885-1960. Washington, DC: Smithsonian National Museum of African Art, Philip Wilson Publishers, 2002.

Geary, Christraud  and Virginia-Lee Webb, eds., Delivering Views:Distant Cultures in Early Postcards. Washington DC: Smithsonian Institution, 1998.

Pinney, Christopher and Nicolas Peterson, eds. Photography’s Other Histories. Durham, NC: Duke University Press, 2003.

Morris, Rosalind ed. Photographies East: The Camera and Its Histories in East and Southeast Asia. Durham, NC: Duke University Press, 2009.

Rose, Gillian. Visual Methodologies: An Introduction to the Interpretation of Visual Materials 2d Edition. Los Angeles: Sage Publications, 2007.

Ryan, James P. Picturing Empire: Photography and the Visualization of the British Empire. Chicago: University of Chicago Press, 1997.

Savard, Dan. Images from the Likeness House. Victoria, Canada: Royal BC Museum, 2010.

Thomas, Julia Adeney. “The Evidence of Sight.”  History and Theory, 48 (December 2009): 151-168.