Festivals of Cuba’s Finest And of the Avant-Garde

from the New York Times; by; Jon Pareles

NEW YORK CITY music fans can get smug, thinking that sooner or later everything worth hearing will come to us. But some music has been in short supply. Musicians from Cuba, after a thaw in the 1990s around the Buena Vista Social Club, had a hard time negotiating performances in the United States during the Bush administration.

Now, with the Obama administration (and with Raúl Castro governing Cuba), more doors have opened, and spring brings a surge of Cuban arts — not just music but also film, painting and literature — with the ¡Sí Cuba! Festival, which starts March 31 and runs through June 16.

It includes the return of two groups vital to Cuban traditions. The Septeto Nacional Ignacio Piñero, April 16 at Zankel Hall, was formed in 1927 and pioneered the Cuban music called son (sound): transparent, lilting, accelerating tunes driven by guitar and bongos. While son became a foundation of salsa, the Septeto still plays as if the songs were new. Los Muñequitos de Matanzas, at Symphony Space May 5 to 7 and at the Performing Arts Center at SUNY Purchase on May 8, are revered performers of Cuban rumba and guaguancó: complex, kinetic Afro-Cuban music for percussion, voices and dancers that levitates a room.

A rarer Cuban tradition is represented by the Creole Choir of Cuba, at the Brooklyn Academy of Music on June 4. It is made up of descendants of Haitians who came to Cuba to escape slavery and have held on to both their Creole language and a repertory of songs — for voices and percussion — that would evolve differently back in Haiti.

The festival also gathers expatriate Cuban musicians. They include Xiomara Laugart, a singer from Havana who is now a member of Yerba Buena, at the Jamaica Performing Arts Center on April 30, and the rapper Telmary Díaz at BAMCafé on April 23. The pianist Arturo O’Farrill, who leads the Afro-Latin Jazz Orchestra, brings his Family Band to BAMCafé on April 30, and on May 14 at Symphony Space the Afro-Latin Jazz Orchestra will be the centerpiece of Wall to Wall Sonidos, a marathon of Latin music featuring the premiere of Mr. O’Farrill’s composition “A Still Small Voice.” With luck, the festival’s many multidisciplinary offerings will also give the music something it has rarely had in New York: a context.

Another concert series, less politically fraught, is the Unsound Festival, April 6 to 10. It came from Poland, where it started in 2003; New York got its first one last year.

Unsound explores the zone where electronic music and visuals spill out of clubs and into the classical avant-garde — or vice versa — and gives New Yorkers a welcome sampling of experimentalists worldwide, from otherworldly abstractions to gargantuan bass. It opens at Alice Tully Hall with Music for “Solaris,” marking the 50th anniversary of that Stanislaw Lem science-fiction novel with music for string orchestra and electronics by Ben Frost and Daniel Bjarnason, accompanying manipulations of the Andrei Tarkovsky film version by Brian Eno and Nick Robertson.

The pioneering electronic composer Morton Subotnick revisits his 1967 work, “Silver Apples of the Moon,” with a video backdrop, on April 7 at the David Rubenstein Atrium atLincoln Center, along with the New York debut of the prolific dance-music composerAtom. The festival also includes a still-shifting, lineup of club events at the Bunker, Le Poisson Rouge and elsewhere, with Emeralds, the New York debut of Lustmord playing live, the film composer Alan Howarth and others. Unsound will also present workshops April 1 to 5. Strange noises are likely to abound.

Reporting While Female

from the New York Times; written by: Sabrina Tavernise

Last winter, I reported on a religious festival in Pakistan, attended by thousands of worshipers. There were no women, at least that I could see. As I waded through the crowds, I held my breath, looking behind me every few seconds, warding off gropers, pushing them away with my hands.

Crowds can be a dangerous place for reporters, especially during war or unrest. Just last Friday, colleagues in Bahrain found themselves under fire from a helicopter that seemed to have singled them out as targets.

But women reporters face another set of challenges. We are often harassed in ways that male colleagues are not. This is a hazard of the job that most of us have experienced and few of us talk about.

Last week, CBS News said that its reporter Lara Logan was assaulted by a crowd of men in Cairo. CBS News did not detail the circumstances, but the network’s statement — that she had suffered a “brutal and sustained sexual assault” — said enough. Threatening had turned frightening. The moment when you hold your breath in a crowd did not pass safely for her.

I have worked in a half-dozen countries since the late 1990s, including Lebanon, Gaza in Israel, Pakistan, Turkey and Russia. In none of these places was I dragged off and raped, but I have encountered abuse in many of them. The assaults usually took place in crowds, where I was pinned in place by men.

The risk of something happening is especially high when all the rules have fallen away and society is held together by a sense that anything can happen. This was the case for me in Baghdad in 2003 at the gun market, when a crowd of young men, impoverished and not used to seeing foreigners, first started touching me, and then began ripping at my clothes. A colleague helped me fend them off.

It was a beginner’s mistake. I was wearing pants, baggy and formless, but still looking nothing like any of the women in the area, who all wore abayas, black sheaths completely covering their bodies. That same day I went to an Iraqi clothing shop to stock up on ankle-length jean skirts and shirts that reached to mid-thigh.

Incidents would repeat themselves several times during my years in Iraq, the strangest being with British soldiers in a remote part of the southern province of Maysan. In the spring of 2006, I found myself at the center of an odd parade. A crowd of boys gathered around me, staring, as I walked with several British soldiers and a translator from our tank to their village.

Some were as young as 5, some were teenagers. A boy in a lime-green T-shirt darted out and grabbed me hard in the crotch. Then another, and another. A soldier, embarrassed, averted his eyes. The translator tried ineffectually to shoo them away. The crowd began to chant something in Arabic that I later learned had been a crude remark. When our strange parade reached the village police station, the officers fired their guns in the air to disperse the boys. One of the policemen grinned, offering, in a motion with his gun, to shoot at them.

In my experience, Muslim countries were not the worst places for sexual harassment. My closest calls came in Georgia with soldiers from Russia, a society whose veneer of rules and civility often covers a pattern of violence, often alcohol laced, toward women.

A military unit had allowed me to tag along after its seizure of the Georgian town of Gori. The men were drunk. I was working. It was dark with no electricity in a ransacked government office. One soldier became so aggressive with his advances that I found an empty room and barricaded it closed with a couch.

The following night, I walked into an empty hotel that was still closed from the fighting. A man who said he was a caretaker appeared. He stood close to me, watching as I unpacked my gear. He took a key and locked the lobby door from the inside. I asked him why, and he said he was protecting against looters.

The hotel was otherwise empty, and I began to panic. I told him that I had left something in my car. Please unlock the door, I asked. He opened it, and I left.

On the same reporting trip, I had to hitch a ride back to Tblisi, as the journalists I had driven with had left. A man in his 50s driving a beat-up Soviet-style car filled with peaches offered me a ride. He was talking amiably, when he suddenly told me to take off my shirt.

This seemed like a good time to demand that he let me out. But he refused and pressed, reaching over to me.

I yelled and fought back. He slowed the car; I jumped out.

He stopped and opened his car’s back door. Peaches spilled onto the road. He shouted after me, offering them.

The Original Article can be found by clicking here.

McKelvy House Sunday Discussion

When: February 27th, 2011 at 6:00 P.M. – 8:00 P.M.
Where: McKelvy House, 200 High St.

What (copied from Lafayette Website)
Sunday dinner discussions are the centerpiece of life at McKelvy. They usually take place from 6 to 8 p.m. each Sunday throughout the academic year. Students take turns selecting provocative topics and readings and facilitating engaging dialogues in the spirit of deep inquiry and vigorous debate with friends. Guests are welcome. For Spring 2011, our theme celebrates the 40th anniversary of coeducation: “Sex, Gender, and Sexuality: Equality and Difference in Perspective.” For more information, please consult the McKelvy discussion website at the “Additional Information” link below.

Additional Information

[Black Heritage Month] African Market

When: February 23rd, 2011 at 12:00 P.M. – 2:00 P.M.
Where: Farinon Center Atrium

What (copied from Lafayette Website)
The Office of Intercultural Development acknowledges that African people have rich and diverse cultures whose attributes not only vary from one country to another but also within specific nations. It also recognizes that African cuisine, art, literature and traditions extend well beyond the scope of what we can offer. However, the African Market program is organized as a small way of celebrating the vast culture and to provide a platform for educating and building meaningful dialogue on the matters related to the African diaspora. Free food and music will be provided during the lunch hour.

Russian Club Party

When: Thursday, February 17th, 2011 at 7:30 P.M.
Where: McKelvy House (200 High St.)
Who: Anyone

a copy of the email

I’m happy to announce we’ll be having the first Russian Club event of the semester. It will be an informal social event with Russian food and music. All are welcome to attend; you don’t need to know a thing about Russian language or culture. And feel free to bring your friends with you.

We’ll have more information on events we’re planning this semester available, and we’re interested to hear what ideas you might have as well.

Looking forward to seeing everyone,

-Susan