For this piece, I used audio I had collected last year for my studio arts senior thesis which explored the effects 9/11 had on the children who lived in lower Manhattan and witnessed the devastation through young, impressionable eyes. I interviewed kids I had grown up with, and three who I had been at preschool with that morning. I asked them all to share with me the memories they had from that morning, and to explain what, if any aspects of their lives they see some influence from 9/11.
I also discovered declassified CIA files about 9/11 on a database found through the Lafayette Library’s research tools. The documents I chose to use are dated from late 1998 to early 2001, all acknowledging and warning of an imminent threat to Americans.
I created a dialogue between what the kids shared with me and the recordings of the CIA documents. I hope the piece provokes listeners to consider how 9/11 affected those who are often thought to have been too young to remember, through hearing their own accounts of losing innocence contrasted with the government’s unemotional, rigid approach.
The strength of this piece is that you both address American culture and your own personal experience. This strategy for making art can be particularly effective because your own investment and experience becomes an entrypoint to make work that has larger implications.