The Digital World of Art History

Intern Alena Principato ’15 shares her experience at Princeton Art History conference

Alena

Alena Principato excited to attend the Digital World of Art History conference at Princeton University.

With plans to earn a Masters degree in Library and Information Science and pursue a career in academic librarianship after graduating from Lafayette, I was able to use my internship with Lafayette’s Visual Resources librarian Kelly Smith to learn more about the field.

As part of my internship I had the opportunity to attend a one-day conference at Princeton University titled “The Digital World of Art History.” The conference, organized by the Index of Christian Art and Princeton’s Visual Resources Collection and Department of Art and Archaeology, centered on the theme of “Standards and Their Application.”

Armed with enthusiasm for my first professional conference, I filed into McCormick Hall and prepared to learn about cutting edge digital art history projects along with dozens of other attendees. The agenda for the day consisted of a line-up of twelve speakers, ranging from librarians and academics to digital developers, and included professionals from various cultural institutions.

Some highlights from the presentations:

Christine Kuan, a representative of Artsy (artsy.net), kicked off the day with her presentation on Artsy, Technology, and the Power of Public Access. The mission of Artsy is to make art accessible to everyone through an online platform for discovering, learning about, and collecting art that is free to the public. The site features more than 100,000 high-resolution images of artworks.

The Art Genome Project, similar in concept to Pandora’s Music Genome Project, assigns specific values to characteristics of art and architecture—the “genes” of the artwork—and uses search algorithms to create associations between related artists and artworks. This system allows for what Kuan calls a “radial” process of searching, allowing users to discover new artists based on their preferences.

Dustin Wees and Margaret Smithglass presented for the Built Works Registry (BWR), an ongoing project “to create and develop a freely available registry and data resource for architectural works and the built environment.” The project is a collaboration between the Avery Architectural and Fine Arts Library at Columbia University, ARTstor, and the Getty Research Institute. The BWR imports data about works from multiple sources and seeks to standardize the title, date, and location of each work as well as assign it a unique ID number.

 Set to launch this October, the BWR plans to eventually give its data to Getty to turn it into one of their authoritative databases. Resources like the BWR are important for standardizing the cataloging of visual resources by providing a controlled vocabulary to maintain consistency in cataloging across multiple institutions. In my experience cataloging with Shared Shelf, I’ve been using controlled vocabularies to assign subject tags to digitized prints produced by the Experimental Printmaking Institute. (Read more about this in my previous blog post.)

 Following the afternoon presentations was a reception inside the art museum, which provided a beautiful atmosphere for networking mixed with art appreciation. Overall, the conference was a great learning experience that expanded my understanding of the possibilities for digital projects involving visual resources collections and fueled my excitement about the direction in which the field is heading.


DSS is actively seeking students from across campus and across disciplines to participate in our internship program. With us you’ll learn hands-on skills in digital scholarship, computer programming, application design, and data preservation. You’ll earn work experience while learning from a professional team on the cutting edge of digital research. E-mail us with your name, major, area of expertise, and reason for applying at digital@lafayette.edu.


Building the Digital Humanities

 Engineering student William Stathis interns with DSS

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James Griffin, Digital Library Developer, and Billy Stathis ’15.

The first time I heard the term “digital humanities” was at a lecture from one of the field’s foremost authorities, Dr. Willard McCarty. He portrayed the field as a mixing of the classical humanities with new analytical technologies – mainly computation. This marriage of the quantitative and the qualitative may, at first, seem somewhat paradoxical. However, by using new analytical techniques and a bit of imagination on the part of both programmers and researchers, one can gain new insights.

Personally, my discovery of this field was a great excitement. As a current student of Electrical and Computer Engineering, I find very few opportunities to do work in history, which has been an interest of mine for years. As fate would have it, the head of Digital Scholarship Services, Eric Luhrs, was at the same lecture. He was looking for a summer intern to work on Digital Humanities collaborations with members of the Lafayette faculty. The internship would allow me, in a practical way, to combine my technical background with my interest in the humanities.

My initial time at DSS was spent learning new programming skills. After about two weeks of reading books on PHP, Javascript, and the Drupal framework, I was prepared to tackle the first project assigned to me. I had only worked on a software development team once before, and it was in the context of a class. Being free to use the best resources for the job, and not just those approved by a professor, was a nice change. Many of the new skills I learned are readily extensible to industry. In particular, the work-flow model we used was prevalent in startups and other small web based companies. This knowledge combined with my work fixing broken sections of code and adding new functionality via server-side and client-side processing will be valuable experience as I progress into a career.

Of all the projects that DSS is currently working on, I was primarily a part of The Easton Library Company Project. The ELC database is a collaboration between English professor Christopher Phillips and the Library’s Digital Scholarship Services department.  Using a relational database of transcribed library loan records from the early 1800s, this project attempts to create an interactive model of the era’s social network. Organized in this way, the tools and records provide users with a means to analyze the reading trends, patron relationships, and other social aspects of life for those in and around Easton in the early 1800s.  While the website is not yet publicly available, additional information can be seen at: http://digital.lafayette.edu/collections/eastonlibrary.

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Billy Stathis at work on the ELC project

Overall, I found my time working at DSS educational. I gained some interesting knowledge of the digital humanities, which is also useful. Additionally, the website development experience I gained was invaluable for working with web and software companies. But my experience went beyond simple coding languages and coding practices. Most of all, I learned what a job in the software development world is actually like, and how to interact with a professional team of developers. I now feel that I have a much better idea of what development jobs hold in store and that will help guide me in my career search more than anything.


DSS is actively seeking students from across campus and across disciplines to participate in our internship program. With us you’ll learn hands-on skills in digital scholarship, computer programming, application design, and data preservation. You’ll earn work experience while learning from a professional team on the cutting edge of digital research. E-mail us with your name, major, area of expertise, and reason for applying at digital@lafayette.edu.